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38.1—SPRING 2006

     Articles:

  • “’Household Forms and Ceremonies’: Narrating Routines in Elizabeth Gaskell’s Cranford—Natalie Kapetanios Meir, p. 1
  • “The Riches of Redundancy: Our Mutual Friend”—John R. Reed, p. 15
  • “The Empire of the Future: Imperialism and Modernism in H. G. Wells”—Paul Cantor and Peter Hufnagel, p. 36
  • “Cather’s ‘Midi Romanesque’: Missionsaries, Myth, and the Grail in Death Comes for the Archbishop”—Klaus P. Stich, p. 57
  • “’Lita is—jazz’: the Harlem Renaissance, Cabaret Culture, and Racial Amalgamation in Edith Wharton’s Twilight Sleep”—Jean C. Griffith, p. 74
  • “The Quiet American and the Novel”—Douglas Kerr, p. 95
     Essay-Review:

  • “Jane Austen Criticism, 1951-2004:”—Karl Kroeber, p. 108
     Reviews:

  • Black, Michael. Lawrence’s England: The Major Fiction, 1913-20—Viriginia Hyde, p. 119
  • Stape, J. H., ed. Joseph Conrad, Notes on Life and Letters—Wallace Watson, p. 121
  • Cushman, Keith and Earl G. Ingersoll, eds. D. H. Lawrence: New Worlds—Andrew Harrison, p. 123
  • Davis, Thadious. Games of Property: Law, Race, Gender, and Faulkner’s “Go Down, Moses”—Kathy Pfeiffer, p. 125
  • Fort, Jeff, trans., Albert Dichy, Werner Hamacher, David E. Wellbery, eds. Jean Genet, The Declared Enemy: Texts and Interviews—Mark Spitzer, p. 126
  • Karem, Jeff. The Romance of Authenticity: The Cultural Politics of Regional and Ethnic Literatures—Nicholas Sloboda, p. 128
  • Peretz, Eyal. Literature, Disaster, and the Enigma of Power: A Reading of “Moby-Dick”—Joy Leighton, p. 129
38.2—SUMMER 2006

     Articles:
  • “Ann Radcliffe and Natural Theology”—Anne Chandler, p. 133
  • “Trollope’s Professional Gentleman: Medical Training and Medical Practice in Doctor Thorne and The Warden”—Timothy Ziegenhagen, p. 154
  • “Not Trying to Talk Alike and Succeeding: The Authoritative Word and Internally Persuasive Word in Tom Sawyer and Huckleberry Finn”—Paul Lynch, p. 172
  • “Lamarckism and the Construction of Transcendence in The House of Mirth”—Sharon Kim, p. 187
  • “Freud, Frazer, an Lawrence’s Palimpsestic Novella: Dreams and the Heaviness of Male Destiny in The Fox”—Peter Balbert, p. 211
  • “Blake’s Dialetics of Vision and Stead’s Critique of Pollitry in The Man Who Loved Children”—Michael Ackland, p. 234
     Essay-Review:

  • “D. H. Lawrence Today: Old Issues and New Editions”—Andrew Harrison, p. 250
     Reviews:

  • Bruccoli, Matthew J. and Judith S. Baughman, eds. The Sons of Maxwell Perkins: Letters of F. Scott Fitzgerald, Ernest Hemingway, Thomas Wolfe, and Their Editors—Thomas K. Meier, p. 262
  • Cousineau, Thomas. Ritual Unbound: Reading Sacrifce in Modernist Fiction—Andrew Mozina, p. 263
  • Goodlad, Lauren M. E. Victorian Literature and the Victorian State: Character and Governance in a Liberal Society—Nicholas Birns, p. 265
  • Labatt, Blair. Faulkner the Storyteller—Taylor Hagood, p. 267
  • Wolfe, Cary. Animal Rites: American Culture, the Discourse of Species, and Posthumanist Theory—Susan McHugh, p. 269
  • Wolfreys, Julian. Victorian Hauntings: Spectrality, Gothic, and the Uncanny and Literature—Michelle Ruggaber Doughtery, p. 271
38.3—FALL 2006

     Articles:

  • “Staging a Lesson: The Theatricals and Proper Conduct in Mansfield Park”—Anna Lott, p. 275
  • “The Good Soldier and Capital’s Interiority Complex”—Carey J. Mickalites, p. 288
  • “From Text to Tableau: Ekphrastic Enchantment in Mrs. Dalloway and To the Lighthouse”—Kathryn Stelmach, p. 304
  • “Mourning the Death of the Raj? Melancholia as Historical Engagement in Paul Scott’s Raj Quartet”—Jason Howard Mazey, p. 327
  • “Uncanny Spaces: Trauma, Cultural Memory, and the Female Body in Gayl Jones’s Corregidora and Maxine Hong Kingston’s The Woman Warrior”—Jennier Griffiths, p. 353
     Reviews:

  • Cleere, Eileen. Avuncularism: Capitalism, Patriarchy and Nineteenth-Century English Culture—Tara McGann, p. 372
  • Curnutt, Kirk, ed. A Historical Guide to F. Scott Fitzgerald and Wagner-Martin, Linda. Zelda Scott Fitzgerald: An American Woman’s Life—Michael Nowlin, p. 374
  • Phelan, James. Living to Tell About It: A Rhetoric and Ethics of Charater Narration—Janis Caldwell, p. 377
  • Titus, Mary. The Ambivalent Art of Katherine Anne Porter and Unrue, Darlene Harbour. Katherine Anne Porter: The Life of an Artist—Janis Stout, p. 379
  • Wood, Ralph C. Flannery O’Connor and the Christ-Haunted South—Helen R. Andretta, p. 382
38.4—WINTER 2006—Special Number: Joyce Carol Oates

     Articles:

  • “Introduction: Humility, Audacity and the Novels of Joyce Carol Oates”—Gavin Cologne-Brookes, p. 385
  • “Joyce Carol Oates: Writer, Colleague, Friend”—Edmund V. Whiate, p. 395
  • “Space, Property, and the Psyche: Violent Topographies in Early Oates Novels”—Susana Araújo, p. 397
  • “Why Can’t Jesse Read? Ethical Identity in Wonderland”—Marilyn C. Wesley, p. 414
  • “Psychic Visions and Quantum Physics: Oates’s Big Bang and the Limits of Language”—Samuel Chase Coale, p. 427
  • “What Does it Mean to be a Woman? The Daughter’s Story in Oates’s Novels”—Joanne V. Creighton and Kori A. Binette, p. 440
  • “The Art of Democracy: Photography in the Novels of Joyce Carol Oates/Rosamond Smith”—Brenda Daly, p. 457
  • “Feminism, Masculinity, and Nation in Joyce Carol Oates’s Fiction”—Ellen G. Friedman, p. 478
  • “Why Such Discontent?: Race, Ethnicity, and Masculinity in What I Lived For”—Julie Sheridan, p. 494
  • “The Fairest in The Land: Blonde and Black Water, the Nonfiction Novels of Joyce Carol Oates”—Sharon Oard Warner, p. 513
  • “History and Representation in The Falls”—Sharon L. Dean, p. 525
  • “Murder She Wrote: Review of Because It Is Bitter, and Because It Is My Heart (Reprinted by permission of The Nation)—Henry Louis Gates, Jr., p. 543
  • “Written Interview and a Conversation with Joyce Carol Oates”—Gavin Cologne-Brookes, p. 547