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36.1—SPRING 2004

     Articles:

  • “The Modern Tragedy of Blithedale”—Kenneth Kupsch, p. 1
  • “ ‘Reading Coolly’ in John Marchmont’s Legacy: Reconsidering M. E. Braddon’s Legacy”—Karen M. Odden, p. 21
  • “The Genealogy of the Literary Bildungsroman: Edward Bulwer-Lytton and W. M. Thackeray”—Richard Salmon, p. 41
  • “‘All she knew was, that she wished to live’: Late-Victorian Realism, Liberal-feminist Ideals, and George Gissing’s In the Year of the Jubilee”—Molly Youngkin, p. 56
  • “Iris Murdoch and the Case of ‘too many men’”—Margaret Moan Rowe, p. 79
  • “Falling in Public: Larsen’s Passing, McCarthy’s The Group, and Baldwin’s Another Country”—Katy Ryan, p. 95
     Essay-Review:

  • “‘Gazing on the Gothic: Where is the field now?’”—Diane Long Hoeveler, p. 120
     Reviews:

  • Atwood, Margaret. Negotiating with the Dead: A Writer on Writing—Earl Ingersoll, p. 126
  • Bledsoe, Erik. Perspectives on Harry Crews—Ric Jahna, p. 128
  • Greaney, Michael. Conrad, Language, and Narrative—Brian Richardson, p. 130
  • Izzo, Donatella. Portraying the Lady: Technologies of Gender in the Short Stories of Henry James—Richard P. Gage, p. 132
  • Knowles, Sebastian D. G. The Dublin Helix: The Life and Language in Joyce’s “Ulysses”—John McCourt, p. 135
  • Morris, Daniel. Remarkable Modernisms: Contemporary American Authors on Modern Art—John Lowney, p. 137
  • Smiley, Jane. Charles Dickens—Jim Barloon, p. 140
  • Squires, Michael and Lynn K. Talbot. Living at the Edge: A Biography of D. H. Lawrence and Freida von Richthofen—Andrew Harrison, p. 142
36.2—SUMMER 2004

     Articles:

  • “Monsters, Marbles, and Miniatures: Mary Shelley’s Reform Aesthetic”—Christopher Rovee, p. 147
  • “A Matter of Love or Death: Hemingway’s Developing Psychosexuality in For Whom the Bell Tolls”—Marc Hewson, p. 170
  • “ ‘You Have Been Framed’: the Function of Ekphrasis for the Representation of Women in John Banville’s Trilogy (The Book of Evidence, Ghosts, Athena)”—Anja Müller, p. 185
  • “Textual Hauntings: Narrating History, Memory, and Silence in The English Patient”—Amy Novak, p. 206
  • “Why Jimmy Wears a Suit: White, Black, and Working Class in The Commitments”—Mary McGlynn, p. 232
     Essay-Review:

  • “Taking Sides”—Ellen Moody, p. 251
     Reviews:

  • Cowan, James. D. H. Lawrence: Self and Sexuality—Andrew Harrison, p. 272
  • Dalgarno, Emily. Virginia Woolf and the Visible World—Holly Henry, p. 274
  • Hitchens, Christopher. Why Orwell Matters—Jeffrey Meyers, p. 277
  • Hodson, Sara S. and Jeanne Campbell Reesman, eds. Jack London: One Hundred Years a Writer—James Williams, p. 278
36.3—FALL 2004—Special Number: Terrorism and the Postmodern Novel

     Articles:

  • “Introduction: The Terror! The Terror!”—Jacqueline Foertsch, p. 285
  • “Spelling It Out: Narrative Typologies of Terror”—Anthony Kubiak, p. 294
  • “Anil’s Ghost and Terrorism’s Time”—Margaret Scanlan, p. 302
  • “Spectacular Spectacular!: Underworld and the Production of Terror”—Stephen J. Mexal, p. 318
  • “A Kink in the System: Terrorism and the Comic Mystery Novel”—Joseph S. Walker, p. 336
  • “Violent Acts, Volatile Words: Kathy Acker’s Terrorist Aesthetic”—Christina Milletti, p. 352
  • “Two’s a Crowd: Mao II, Coke II, and The Politics of Terrorism in Don DeLillo”—Richard Hardack, p. 374
  • “Auguries of Power: Prophecy and Violence in The Satanic Verses”—Christine Cavanaugh, p. 393
  • “Reshaping Ideologies: Leftists as Terrorists/Terrorists as Leftists in DeLillo’s Novels”—Vlatka Velcic, p. 405
  • “Novel Spaces and Taking Place(s) in the Wake of September 11”—Alex Houen, p. 419
  • “(Ex)communication Palestine: from Best-Selling Terrorist Fiction to Real-Life Personal Accounts”—Toine van Teeffelen, p. 438
     Review:

  • Clymer, Jeffory. A. America’s Culture of Terrorism: Violence, Capitalism, and the Written Word—Kevin Grauke, p. 461
36.4—WINTER 2004

     Articles:

  • “The Return of the Prodigal Daughter: Finding the Family in Amelia Opie’s Novels”—Joanne Tong, p. 465
  • “Glazed Expression: Mary Barton, Ghosts and Glass”—David Ellison, p. 484
  • “Americanness Becomes Modernism in James’s The Ambassadors”—Sarah Wilson, p. 509
  • “The Confessions of Todd Andrews: Double-directed Discourse in The Floating Opera”—Christ Conti, p. 533
  • “The Social Construction of Homosexuality in Iris Murdoch’s Fiction”—Tammy Grimshaw, p. 552
     Essay-Review:

  • “Women and Novelistic Authority”—Diane Hoeveler, p. 571
     Reviews:

  • Bock, Martin. Joseph Conrad and Psychological Medicine—Dwight H. Purdy, p. 579
  • Brantlinger, Patrick and William B. Thesling, eds. A Companion to the Victorian Novel—Robert A. Colby, p. 580
  • Chaudhuri, Amit. D. H. Lawrence and ‘Difference’: Postcoloniality and the Poetry of the Present—Andrew Harrison, p. 583
  • Cooper, Brenda. Weary Sons of Conrad: White Fiction Against the Grain of Africa’s Dark Heart—Athanasius Ako Ayuk, p. 586
  • Nel, Philip. The Avant-Garde and American Postmodernity: Small Incisive Shocks—Joseph T. Thomas, Jr., p. 587
  • Zender, Karl F. Faulkner and the Politics of Reading—Jay Watson, p. 590