ARCHIVES

Volume:
43 | 42 | 41 | 40 | 39 | 38 | 37 | 36 | 35 | 34 | 33 | 32 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1

9.1—SPRING 1977

     Articles:

  • “A Classic of Russian Realism: Form and Meaning in The Golovlyovs”—Milton Ehre, p. 3
  • “‘A Reality That Can’t Be Quite Definitely Spoken’: Sexuality in Their Wedding Journey”—Gary A. Hunt, p. 17
  • “Frederick Winterbourne, James’s Prisoner of Chillon”—Carl Wood, p. 33
  • “Faulkner’s Folklore in As I Lay Dying: An Old Motif in a New Manner”—David Middleton, p. 46
  • “Templeton Revisited: Social Criticism in The Pioneers and Home as Found”—Joy S. Kasson, p. 54
  • “Lucky Jim and Academic Wishful Thinking”—Richard Fallis, p. 65
     Review Essay:

  • “Eight Ways of Looking at James”—Adeline R. Tintner, p. 73
     Reviews:

  • Friedman, Forms of Modern British Fiction—Eloise Knapp Hay, p. 96
  • Rees, Jane Austen: Woman and Writer; Gérin, Elizabeth Gaskell: A Biography; and Calder, Women and Marriage in Victorian Fiction—John Halperin, p. 98
  • Sutherland, Victorian Novelists and Publishers—Jeffrey Meyers, p. 100
  • Wadlington, The Confidence Game in American Literature—Hershel Parker, p. 102
9.2—SUMMER 1977

     Articles:

  • “Calvinism and Gothicism: The Example of Brown’s Wieland”—Michael T. Gilmore, p. 107
  • “Another Two Dreisers: The Artist as ‘Genius’”—Thomas P. Riggio, p. 119
  • “The Ambassadors: The Man of Imagination Encaged and Provided For”—Susan M. Greenstein, p. 137
  • “Marriage in the Symbolic Framework of The Mystery of Edwin Drood”—Ina Rae Hark, p. 154
  • “The Rarer Action: Comedy in John Hawkes’s Second Skin”—Ronald Wallace, p. 169
  • “The Education of Elizabeth Temple”—Jay S. Paul, p. 187
     Review Essays:

  • “Psychiatry and Piety on Lawrence”—Kingsley Widmer, p. 195
  • “Some Recent Books on Faulkner”—Noel Polk, p. 201
  • “The Divided Stream of Dreiser Studies”—Thomas P. Riggio, p. 211
  • “Reprinting Religious Novels: Losses or Gain?”—U. C. Knoepflmacher, p. 217
  • “Seven Versions of Thomas Hardy”—Keith Cushman, p. 223
     Reviews:

  • Guerard, The Triumph of the Novel: Dickens, Dostoevsky, Faulkner—Alan Warren Freidman, p. 232
  • Gillie, A Preface to Jane Austen and Hardy, A Reading of Jane Austen—Barry Roth, p. 233
9.3—FAll 1977

     Articles:

  • “The Ordered Disorder of Ethan Frome”—David Eggenschwiler, p. 237
  • “Melville, Marriage, and Mardi”—Charles Haberstroh, Jr., p. 247
  • “Hardship, Recollection, and Discipline: Three Lessons in Mansfield Park”—Peter L. DeRose, p. 261
  • “Caleb Williams: Godwin’s Epoch of Mind”—Robert Uphaus, p. 279
  • “Henry James, Puppetmaster: The Narrative Status of Maria Gostrey, Susan Stringham, and Fanny Assingham as Ficelles”—Christopher Nash, p. 297
  • “James’s ‘Amiable Auditress’: An Ironic Pun”—Edward Craney Jacobs, p. 311
     Review Essays:

  • “Lots of Cotton Wool”—James Gindin, p. 312
  • “Conrad Studies”—Frederick R. Karl, p. 326
  • “Three Generations of Finnegans Wake”—Bernard Benstock, p. 333
  • “Women and Fiction: The Limits of Criticism”—Lydia Blanchard, p. 339
     Reviews:

  • Daleski, Joseph Conrad: The Way of Dispossession—Daniel R. Schwarz, p. 356
  • Frank, Dostoevsky: The Seeds of Revolt: 1821-1849—Albert J. Guerard, p. 358
  • Kincaid, The Novels of Anthony Trollope—John Halperin, p. 360
  • Staley and Benstock, eds., Approaches to Joyce’s Portrait: Ten Essays—Robert Boyle, p. 363
9.4—WINTER 1977—Point Counter Point Special Edition

     Articles:

  • “Editor’s Preface: Fifty Years of Counterpoint”—Jerome Meckier, p. 367
  • “Point Counter Point Revisited”—Walter Allan, p. 373
  • “The Technique of Counterpoint”—Murray Roston, p. 378
  • “‘The Source of Light’: Pictoral Imagery and Symbolist in Point Counter Point”—Peter Bowering, p. 389
  • “The Viability of Point Counter Point”—Harold H. Watts, p. 406
  • “Accepting the Universe: The ‘Rampion-Hypothesis’ in Point Counter Point and Island”—Keith May, p. 418
  • “The Mathematical-Physical Universe: A Basis for Multiplicity and the Quest for Unity in Point Counter Point”—James Quina, p. 428
  • “Philip Quarles’s Passage to India: Jesting Pilate, Point Counter Point, and Bloomsbury”—Jerome Meckier, p. 445
  • “Politics and Character in Point Counter Point”—Milton Birnbaum, p. 468
  • “Allusions to Musical Works in Point Counter Point”—Zack Bowen, p. 488
  • “The Fugal Construction of Point Counter Point”—Donald Watt, p. 509
  • “Mental Music: Huxley’s Point Counter Point and Mann’s Magic Mountain as Novels of Ideas”—Peter Firchow, p. 518
  • “A Tour of Brighton Pavilion and Gog’s Court: The Romantic Context of Point Counter Point and Eyeless in Gaza”—Robert S. Baker, p. 537