ARCHIVES

Volume:
43 | 42 | 41 | 40 | 39 | 38 | 37 | 36 | 35 | 34 | 33 | 32 | 31 | 30 | 29 | 28 | 27 | 26 | 25 | 24 | 23 | 22 | 21 | 20 | 19 | 18 | 17 | 16 | 15 | 14 | 13 | 12 | 11 | 10 | 9 | 8 | 7 | 6 | 5 | 4 | 3 | 2 | 1

5.1—SPRING 1973

     Articles:

  • “Two Dramatists: Lovelace and Richardson in Clarissa”—William J. Palmer, p. 7
  • “Acts of Perception in Jane Austen’s Novels”—Hugh L. Hennedy, p. 22
  • “Home as Cherished: The Theme of Family in Fenimore Cooper”—Jay S. Paul, p. 39
  • “The ‘Double Center’: Character and Meaning in Cable’s Early Novels”—Donald A. Ringe, p. 52
  • “Artist and Model in The Picture of Dorian Gray”—Robert Keefe, p. 63
  • “Historical Impressionism in Orlando”—Jack F. Stewart, p. 71
  • “Moll’s Many-Colored Coat: Veil and Disguise in the Fiction of Defoe”—Frederick R. Karl, p. 86
  • “The Profit and Loss of Moll Flanders”—Samuel J. Rogal, p. 98
  • “The Oedipal Theme in Howells’s Fennel and Rue”—John W. Crowley, p. 104
     Review Essays:

  • “All About Richardson”—Ronald Paulson, p. 110
  • “The Learned Try-Works: A Review of Recent Scholarly Criticism of Melville”—Kingsley Widmer, p. 117
  • “Satire, Society, and Symbol in Recent Dickens”—Lauriat Lane, Jr., p. 125
     Reviews:

  • Cady, The Light of Common Day: Realism in American Fiction—John J. McAleer, p. 140
  • Gérin, Emily Bronte: A Biography—Keith C. Odom, p. 142
  • La France, A Reading of Stephen Crane—Eric Solomon, p. 144
  • Ringe, The Pictoral Mode: Space and Time in the Art of Bryant, Irving, and Cooper—Frank M. Collins, p. 145
  • Young, Three Bags Full: Essays in American Fiction—Irving Malin, p. 148
5.2—SUMMER 1973

     Articles:

  • “English Fiction in the 1740s: Some Glances at the Major and Minor Novels”—Jerry C. Beasley, p. 155
  • “Archetypal Patterns in Edgar Huntly”—Philip Russell Hughes, p. 176
  • “The Preface as a Key to the Satire in Pym”—J. Gerald Kennedy, p. 191
  • “The Shape of Moby-Dick”—Henry L. Golemba, p. 197
  • “Sibi Constet: The Goddess of Castlewood and the Goddess of Walcote”—Robert Bledsoe, p. 211
  • “Art and Artists in Daniel Deronda”—Douglas C. Fricke, p. 220
  • “Lord Jim as a Tragic Action”—Harry S. Epstein, p. 229
  • “‘Doating on you, faults and all’: Mr. George Knightley”—James R. Bennett, p. 248
  • “Melville’s Surgeon Cuticle and Surgeon Cutbush”—Hennig Cohen, p. 251
     Reviews:

  • Bennett, The Realism of William Dean Howells, 1889-1920—David J. Nordloh, p. 256
  • Fletcher, ed., Meredith Now: Some Critical Essays and Beer, Meredith: A Change of Masks: A Study of the Novels—Benjamin Franklin Fisher IV, p. 258
  • Katz, ed., Stephen Crane in Transition: Centenary Essays—Donald Pizer, p. 261
  • Poirier, Norman Mailer—Robert F. Lucid, p. 263
5.3—FALL 1973

     Articles:

  • “The Interpolated Narratives in the Fiction of Fielding and Smollett: An Epistemological View”—John M. Warner, p. 271
  • “The Good Soldier: Outworn Codes”—Mary Cohen, p. 284
  • “The Pertinence of Modern Pastoral: The Three Versions of Lady Chatterley’s Lover”—Kingsley Widmer, p. 298
  • “The Unconscious Dimension of Tender is the Night”—George D. Murphy, p. 314
  • “Fitzgerald in the Fifties”—Barry E. Gross, p. 324
  • “Things Falling Apart: Structure and Theme in Rabbit, Run”—Clinton S. Burhans, Jr., p. 336
  • “John Ray, Jr., Critic and Artist: The Foreword to Lolita”—James L. McDonald, p. 352
  • An Interview in Minnesota with Frederick Manfred—p. 358
     Review Essay:

  • “Samuel Beckett and His Critics Enter the 1970s”—Melvin J. Friedman, p. 383
     Reviews:

  • Argyle, An Introduction to the Australian Novel 1830-1930—Joseph Jones, p. 402
  • Hardy, The Exposure of Luxury: Radical Themes in Thackeray—Michael G. Sundell, p. 402
  • Kazin, Bright Book of Life, American Novelists and Storytellers from Hemingway to Mailer—D. B. Graham, p. 404
  • Kroeber, Styles in Fictional Structure: The Art of Jane Austen, Charlotte Bronte, George Eliot—William A. Madden, p. 406
  • Stone, Novelists in a Changing World: Meredith, James and the Transformation of English Fiction in the 1880s—Adeline R. Tintner, p. 408
5.4—WINTER 1973

     Articles:

  • “A Passage to India and Dickinson’s Saint at Benares”—Jean E. Kennard, p. 417
  • “The Evolution of E. M. Forster’s Narrator”—Jo M. Turk, p. 428
  • “E. M. Forster and Goldsworthy Lowes Dickinson”—Frederick P. W. McDowell, p. 441
  • “Henry James’s New Christopher Newman”—Larry J. Reynolds, p. 457
  • “The Existential Dilemmas of Alan Sillitoe’s Working-Class Heroes”—Anna Ryan Nardella, p. 469
  • “Ford’s Good Narrator”—Vern B. Lentz, p. 483
  • “Marlow’s Interview with Stein: The Implications of the Metaphor”—Paul S. Bruss, p. 491
  • An Interview in New York with Anthony Burgess—p. 504
     Review Essays:

  • “From Standard to Classic: Graham Greene in Transit”—Robert Murray Davis, p. 530
  • “Lawrentian Manias: A Review of Recent Studies of D. H. Lawrence”—Kingsley Widmer, p. 547
  • “The Latest Woolf Offering”—Avron Fleishman, p. 559