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19.1—SPRING 1987

     Articles:

  • “‘My only sister now’: Incest in Mansfield Park”—Johanna M. Smith, p. 1
  • “Dombey and Son: A Sentimental Family Romance”—Lyn Pykett, p. 16
  • “The Importance of Being Gwendolen: Contexts for George Eliot’s Daniel Deronda”—Sara M. Putzell, p. 31
  • “The Monastery and The Abbot: Scott’s Religious Dialectics”—Lionel Lackey, p. 46
  • “Satiric Deceit in the Ending of Adventures of Huckleberry Finn”—David Kaufmann, p. 66
     Review Essays:

  • “More Matter, Less Art: The Continuing Course of Lawrence Criticism”—John B. Humma, p. 79
  • “Juvenile Waugh”—Jerome Meckier, p. 91
     Reviews:

  • Baym, Novels, Readers, and Reviewers: Responses to Fiction in Antebellum America—Richard D. Rust, p. 98
  • Bell, Defoe’s Fiction—Manuel Schonhorn, p. 99
  • Damrosch, God’s Plot & Man’s Stories: Studies in the Fictional Imagination from Milton to Fielding—Barry Roth, p. 101
  • Fisher, Hard Facts: Setting and Form in the American Novel—Raymund A. Paredes, p. 103
  • Forster, Commonplace Book, ed. Philip Gardner—Elgin W. Mellown, p. 104
  • Hochman, Character in Literature—Brian Rosenberg, p. 106
  • Jones, James the Critic—Judith E. Funston, p. 107
  • Scheckner, Class, Politics, and the Individual: A Study of the Major Works of D. H. Lawrence—Michael Squires, p. 113
  • Sherzer, Representation in Contemporary French Fiction—Robert R. Brock, p. 114
  • Smith, The Achievement of Graham Greene—Richard Kelly, p. 117
  • Rebuttals (Stoltzfus vs. Brock)—p. 120
19.2—SUMMER 1987

     Articles:

  • “Rococo and the Novel”—William Park, p. 125
  • “Mansfield Park: Free Indirect Discourse and the Psychological Novel”—Louise Flavin, p. 137
  • “The Narrator as Audience: Ishmael as Reader and Critic in Moby-Dick”—Manfred Putz, p. 160
  • “Their Wedding Journey: In Search of a New Fiction”—John E. Bassett, p. 175
  • “‘The End Is the Devil’: The Conclusions to Conrad’s Under Western Eyes”—David Leon Higdon and Robert R. Sheard, p. 187
     Review Essay:

  • “Biography and Criticism”—Peter Casagrande, p. 197
     Reviews:

  • Auchard, Silence in Henry James: The Heritage of Symbolism and Decadence; Goetz, Henry James and the Darkest Abyss of Romance; Tanner, Henry James: The Writer and His Work and Tintner, The Museum World of Henry James—Geoffrey D. Smith, p. 210
  • Benstock, James Joyce—Stephen Whittaker, p. 215
  • Larson, Dickens and the Broken Scripture—Brian C. Rosenberg, p. 217
  • Lynch, Henry Fielding and the Heliodoran Novel—Sylvia Kasey Marks, p. 219
  • Lynch, Henry Fielding and the Heliodoran Novel—Sylvia Kasey Marks, p. 219
  • Raval, The Art of Failure: Conrad’s Fiction—Dan Schwarz, p. 223
  • Reynolds, The Young Hemingway—Gerry Brenner, p. 225
  • Ruppert, Reader in a Strange Land: The Activity of Reading Literary Utopias—Gorman Beauchamp, p. 228
  • Van Caspel, Bloomers on the Liffey: Eisegetical Readings of Joyce’s “Ulysses”—Charles Rossman, p. 231
  • Weiss, Fairy Tale and Romance in Work of Ford Madox Ford—Joseph Wiesenfarth, p. 233
  • Wier, Allen, and Don Hendrie, Jr., Voicelust: Eight Contemporary Fiction Writers on Style—Robert Con Davis, p. 236
19.3—FALL 1987—Women and Early Fiction Special Number

     Articles:

  • “Introduction”—Jerry C. Beasley, p. 239
  • “Women Writers and the Chains of Identification”—Paula R. Backscheider, p. 245
  • “Voice and Gender in Eighteenth-Century Fiction: Haywood to Burney”—John J. Richetti, p. 263
  • “Female Changelessness; or, What Do Women Want?”—Patricia Meyer Spacks, p. 273
  • “What Fanny Felt: The Pains of Compliance in Memoirs of a Woman of Pleasure”—Carol Houlihan Flynn, p. 284
  • “Shakespeare’s Novels: Charlotte Lennox Illustrated”—Margaret Anne Doody, p. 296
  • “Women and Money in Eighteenth-Century Fiction”—Mona Scheuermann, p. 311
  • “Controlling the Text: Women in Tom Jones”—April London, p. 323
  • “Jane Austen and Female Reading”—Robert W. Uphaus, p. 334
  • “Why There’s No Sex in Jane Austen’s Fiction”—Susan Morgan, p. 346
  • “The Falling Woman in Three Victorian Novels”—Beth Kalikoff, p. 357
  • “Fanny N. Mayne’s Jane Rutherford and the Tradition of the Social-Protest Novel in England”—Joseph A. Kestner, p. 368
  • “Patriarchal Ideology and Marginal Motherhood in Victorian Novels by Women”—Elizabeth Langland, p. 381
19.4—WINTER 1987

     Articles:

  • “The Mitigated Truth: Tom Jones’s Double Heroism”—Peter J. Carlton, p. 397
  • “Estella’s Parentage and Pip’s Persistence: The Outcome of Great Expectations”—Stanley Friedman, p. 410
  • “‘The Patter’s All Missed’: Separation/Individuation in The Mill on the Floss”—Eva Fuchs, p. 422
  • “Trollope’s Satire in The Warden”—Thomas A. Langford, p. 435
  • “‘A More Splendid Necromancy’: Mark Twain’s Connecticut Yankee and the Electrical Revolution”—Jane Gardiner, p. 448
  • “Mocking Fate: Romantic Idealism in Edith Wharton’s The Reef”—James W. Tuttleton, p. 459
  • “Seraphic Seduction in Portrait of the Artist and Ulysses”—Theresa M. DiPasquale, p. 475
     Review Essay:

  • “Canonizing Iris Murdoch”—John J. Burke, Jr., p. 486
     Reviews:

  • Gilmour, The Novel in the Victorian Age; Hawthorn, The Nineteenth-Century British Novel and Weiss, The Hell of the English: Bankruptcy and the English Novel—Rosemary VanArsdel, p. 495
  • Patteson, A World Outside: The Fiction of Paul Bowles—Gena Dagel, p. 497
  • Rosowski, The Voyage Perilous: Willa Cather’s Romanticism—Barbara Bair, p. 501
  • Vann, Victorian Novels in Serial—Michael Lund, p. 503
  • Veeder, Mary Shelley & Frankenstein: The Fate of Androgyny—Scott Simpkins, p. 505
  • Wallace, Early Cooper and His Audience—Ross J. Pudaloff, p. 507
  • West, Sheer Fiction—David W. Madden, p. 511
  • Williams, Jane Austen: Six Novels and Their Methods—Loraine Fletcher, p. 513