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43.1

     Articles:

  • "The Economics of Plot in Burney’s Camilla" —Katherine Binhammer, p. 1
  • "The Art of Manliness: Ekphrasis and/as Masculinity in George MacDonald’s Phantastes" —Albert D. Pionke, p. 21
  • "Rena’s Two Bodies: Gender and Whiteness in Charles Chesnutt’s The House Behind the Cedars" —Melissa Ryan, p. 38
  • "Small Language and Big Men in Virginia Woolf" —Kim Shirkhani, p. 55
  • "Rewriting Darkness: Imperial Knowledge in Barry Unsworth’s Sacred Hunger" —Susan Strehle, p. 75
  • "Violence, Fiction, and the Limits of Sympathy"—Mike Marais, p. 94
     Reviews:

  • Foster, John Wilson Irish Novels, 1890-1940: New Bearings in Culture and Fiction—Richard Russell, p. 116
  • Hughes, William and Andrew Smith, eds. Queering the Gothic—Patrick O’Malley, p. 118
  • Klinkowitz, Jerome. Kurt Vonnegut’s America—Robert Morace, p. 120
  • Luce, Dianne C. Reading the World: Cormac McCarthy’s Tennessee Period—William Brannon, p. 122
  • Miller, Robin Feuer. Dostoevsky’s Unfinished Journey—Susan McReynolds, p. 1124
  • Morley, Catherine. The Quest for Epic in Contemporary American Fiction: John Updike, Philip Roth and Don DeLillo—Jeffrey Severs, p. 126
  • Stockton, Kathryn Bond. The Queer Child: Growing Up Sideways in the Twentieth Century—Elizabeth Freeman, p. 128

43.2

     Articles:
  • "‘Everything is Going to Sixes and Sevens’: Governing the Female Body (Politic) in Jane Austen’s Catharine, Or the Bower (1792)"—John C. Leffel, p. 131
  • "‘Gladstone bags, shooting boots, and Bryant & May's matches’: Empire, Commerce, and the Imperial Romance in the Graphic's Serialization of H. Rider Haggard's She"—Julia Reid, p. 152
  • "Hardy’s Geography of Narrative Empathy"—Eve Sorum, p. 179
  • "Assimilation After Empire: Marina Lewycka, Paul Gilroy, and the Ethnic Bildungsroman in Contemporary Britain"—Heather Fielding, p. 200
  • "Cormac McCarthy's The Road as Apocalyptic Grail Narrative"—Lydia R. Cooper, p. 218
  • "Historiography and the Material Imagination in the Novels of Sarah Waters"—Katharina Boehm, p. 237
     Essay-Reviews:
  • "British Culture at Mid-Century: Wartime Writing and Intermodernism"—Patrick Bixby, p. 258
  • "A Set of Four: New Studies of the Novels of Joseph Conrad"—John Lester, p. 267
     Reviews:
  • Detloff, Madelyn The Persistence of Modernism: Loss and Mourning in the Twentieth Century—Rod C. Taylor, p. 279
  • Duffy, Enda Consuming Traditions: Modernity, Modernism, and the Commodified Authentic—Rod C. Tayor, p. 279
  • Outka, Elizabeth. The Speed Handbook: Velocity, Pleasure, Modernism—Andrew Goldstone, p. 281
  • Saunders, Loraine The Unsung Artistry of George Orwell: The Novels from Burmese Days to Nineteen Eighty-Four—Ben Clarke, p. 286

43.3

     Articles:
  • "Melodrama and the Production of Affective Knowledge in Mary Barton"—Thomas Recchio, p. 289
  • "‘Can You Put a Word to It?’: Language and Epistemology in The Dwarfs"—Marc Silverstein, p. 306
  • "On Not Being Found: A Winnicottian Reading of John Banville’s Ghosts and Athena"—Mark O’Connell, p. 328
  • "Going to the Dogs: Enduring Isolation in Marlene van Niekerk’s Triomf"—Jeanne-Marie Jackson, p. 343
     Essay-Review:
  • "Three Feminist Interventions"—Esther M. Lopez, p. 363
     Reviews:
  • Barrows, Adam The Cosmic Time of Empire: Modern Britain and World Literature—James Harker, p. 373
  • Cerasulo, Tom Authors Out Here: Fitzgerald, West, Parker, and Schulberg in Hollywood—Hila Shachar, p. 375
  • Lukasik, Christopher J. Discerning Characters: The Culture of Appearance in Early America—Bridget Marshall, p. 376
  • Makino, Arimachi Melville and the Wall of the Modern Age—Anna Krauthammer, p. 378
  • Milnes, Tim and Kerry Sinanan Romanticism, Sincerity and Authenticity—Timothy Ruppert, p. 380
  • Wutz, Michael Enduring Words: Literary Narrative in a Changing Media Ecology—Hila Shachar, p. 382

43.4

     Articles:
  • "Antinomian Reviewers: Hogg's Critique of Romantic-Era Magazine Culture inThe Confessions of a Justified Sinner"—Cates Baldridge, p. 385
  • "Corpse Hoarding: Control and the Female Body in 'Bluebeard,' 'Schalken the Painter,' and Villette"—Katherine J. Kim, p. 406
  • "No Place Like Home: Nightwood's Unhoused Fictions"—Mary Wilson, p. 428
  • "Profaning the American Religion: Flannery O'Connor's Wise Blood"—Steve Pinkerton, p. 449
  • "'Time to go': The Post-Apocalyptic and the Post-Traumatic in Margaret Atwood's Oryx and Crake"—Katherine V. Snyder, p. 470
     Essay-Reviews:
  • "The Violated Man of Letters: Dickens's Studies between Truth and Appropriation"—Luca Caddia, p. 490
  • "'Distant Reading': Victorian Investments in History and the Novel"—Chris Kent, p. 498
     Reviews:
  • Aplin, John The Inheritance of Genius: A Thackeray Family Biograpy, 1798 - 1875—Kristi N. Embry, p. 507
  • Bouson, J. Brooks, ed. Margaret Atwood: The Robber Bride, The Blind Assassin, Oryx and Crake—Heather Duerre Humann, p. 508
  • Csicisila, Joseph and Chad Rohman, eds. Centenary Reflections on Mark Twain's No. 44, The Mysterious Stranger—Michael Martin, p. 510
  • Ketabgian, Tamara The Lives of Machines: The Industrial Imaginary in Victorian Literature & Culture—Jennifer Kelso Farrell, p. 512
  • Phillips, Paul A Clockwork Counterpoint: The Music and Literature of Anthony Burgess—Thomas Horan, p. 515
  • Tilottama, Rajan Romantic Narrative: Shelley, Hays, Godwin, Wollstonecraft—Timothy Ruppert, p. 517