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14.1—SPRING 1982

     Articles:

  • “The Coverdale Romance”—John Harmon McElroy and Edward L. McDonald, p. 1
  • “The Gap in Trollope’s Fiction: The Warden as Example”—Ross C. Murfin, p. 17
  • “The Poet within the Architect’s Ring: Desperate Remedies, Hardy’s Hybrid Detective-Gothic Narrative”—Kevin Z. Moore, p. 31
  • “Construing Brown’s Wieland: Ambiguity and Derridean ‘Freeplay’”—Michael Kreyling, p. 43
  • “To Know the Dancer from the Dance: Dance as Metaphor of Marriage in Four Novels of Jane Austen”—Timothy Dow Adams, p. 55
  • “Inconstant Harmony in The Tin Drum”—Stacey Olster, p. 66
  • “‘The Hollywood Thread’ and the First Draft of Saul Bellow’s Seize the Day”—Allan Chavkin, p. 82
     Review Essays:

  • “Perceptions of Exile: Nabokov, Bellow, and the Province of Art”—Peter Balbert, p. 95
  • “The Frustrations and Possibilities of Literary History”—Wayne Lesser, p. 105
     Reviews:

  • Benstock and Benstock, Who’s He When He’s at Home: A James Joyce Directory; Gottfried, The Art of Joyce’s Syntax in “Ulysses” and McHugh, Annotations to “Finnegans Wake”—Michael Patrick Gillespie, p. 116
  • Howell, John Gardner: A Bibliographical Profile—Robert A. Morace, p. 119
  • Levine, The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley—William K. Buckley, p. 123
  • Patten, Charles Dickens and His Publishers and Steig, Dickens and Phiz—Deborah A. Thomas, p. 126
  • Reed, An Exemplary History of the Novel: The Quixotic versus the Picaresque—Mark Spilka, p. 128
  • Seidel, Satiric Inheritance, Rabelais to Sterne—Peter M. Briggs, p. 132
14.2—SUMMER 1982

     Articles:

  • “‘Dust Within the Rock’: The Phantasm of Meaning in The Narrative of Arthur Gordon Pym”—Paul Rosenzweig, p. 137
  • “In Sickness and in Health: Jane Austen’s Metaphor”—Pamela Steele, p. 152
  • “Poor Florence Indeed! or: The Good Soldier Retold”—John Reichert, p. 161
  • “The Romantic Complaint: The Logical Movement of Stephen’s Aesthetics in A Portrait of the Artist as a Young Man”—James H. Druff, Jr., p. 180
  • “Sex and Politics in V. S. Naipaul”—Robert Hemenway, p. 189
     Reviews:

  • Manganiello, Joyce’s Politics and Wilding, Political Fictions—Victoria S. Middleton, p. 204
  • Morgan, In the Meantime: Character and Perception in Jane Austen’s Fiction and Wilt, Ghosts of the Gothic: Austen, Eliot, and Lawrence—Robert Lance Snyder, p. 207
  • Dreiser, Sister Carrie (The Pennsylvania Edition)—Stephen C. Brennan, p. 211
  • Stewart, A New Mythos: The Novel of the Artist as Heroine, 1877-1977—Cathy N. Davidson, p. 213
  • Stepto, From Behind the Veil: A Study of Afro-American Narrative—Keith E. Byerman, p. 214
  • Charney, Sexual Fiction—Michael B. Goodman, p. 216
  • Colby, Thackeray’s Canvass of Humanity: An Author and His Public and Monsarrat, An Uneasy Victorian: Thackeray the Man, 1811-1863—Carol MacKay, p. 218
  • Adler, War in Melville’s Imagination—Ivan Melada, p. 220
14.3—FALL 1982

     Articles:

  • “Tulip-Hood, Streaks, and Other Strange Bedfellows: Style in Villette”—Robert B. Heilman, p. 223
  • “The Rape of Miss Havisham”—Curt Hartog, p. 248
  • “Narrative Logic and the Form of Tradition in The Mill on the Floss”—Renata R. Mautner Wasserman, p. 266
  • “Measuring Faulkner’s Tall Convict”—Doreen A. Fowler, p. 280
     Reviews:

  • Robert, Origins of the Novel and Knight, The Novel as Structure and Praxis—Gary Lee Stonum, p. 286
  • DiBattista, Virginia Woolf’s Major Novels: The Fables of Anon.; Meisel, The Absent Father: Virginia Woolf and Walter Pater; Marcus, ed., New Feminist Essays on Virginia Woolf and Freedman ed., Virginia Woolf: Revaluation and Continuity—Victoria S. Middleton, p. 289
  • Lawrence, The Odyssey of Style in “Ulysses”—Michael Patrick Gillespie, p. 293
  • White, The Uses of Obscurity: The Fiction of Early Modernism—Eugene Hollahan, p. 294
  • Pratt, Archetypal Patterns in Women’s Fiction—Cathy N. Davidson, p. 297
  • Robertson, The Leavises on Fiction: An Historic Partnership—William E. Cain, p. 299
  • Fisher, Joyce Cary: The Writer and His Theme and Cook, Joyce Cary: Liberal Principles—Ed Christian, p. 301
14.4—WINTER 1982

     Articles:

  • “ ‘O, Shakespear, Had I Thy Pen!’: Fielding’s Use of Shakespeare in Tom Jones”—Berit R. Lindboe, p. 303
  • “Jane Austen’s Proposal Scenes and the Limitations of Language”—Janis P. Stout, p. 316
  • “David Copperfield and Scheherazada: The Necessity of Narrative”—Sylvia Manning, p. 327
  • “Time and Ishmael’s Character in ‘The Town-Ho’s Story’ of Moby-Dick”—Philip J. Egan, p. 337
  • “The Lovely Storm: Sexual Initiation in Two Early Willa Cather Novels”—Loretta Wasserman, p. 348
  • “Genealogy and Incest in Wuthering Heights”—William R. Goetz, p. 359
     Review Essay:

  • “Deconstruction and Tradition”—Walter L. Reed, p. 377
     Reviews:

  • Reynolds, Joyce and Dante: The Shaping Imagination—David Hayman, p. 386
  • Burns and Sugnet, eds., The Imagination on Trial—David W. Madden, p. 388
  • Cameron, The Corporeal Self: Allegories of the Body in Melville and Hawthorne—Evan Carton, p. 391
  • Epstein, ed., A Starchamber Quiry: A Centennial Volume, 1882-1982—Stephen Whittaker, p. 394