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7.1—SPRING 1975—Special Number: Jane Austen

     Articles:

  • “The Trouble with Mansfield Park”—John Halperin, p. 6
  • Mansfield Park: Reading for ‘Improvement’”—Gerry Brenner, p. 24
  • “Emma Woodhouse and the Charms of Imagination”—Susan J. Morgan, p. 33
  • “The Word Clusters in Emma”—Albert E. Wilhelm, p. 49
  • “Charity in Emma”—Jane Nardin, p. 61
  • “The Decline of the Gentry: A Study of Jane Austen’s Attitude to Formality in Persuasion”—David M. Monaghan, p. 73
  • “‘A Pair of Fine Eyes’: Jane Austen’s Treatment of Sex”—Alice Chandler, p. 88
  • “Object Association and Minor Characters in Jane Austen’s Novels”—Lesley H. Willis, p. 104
  • “The Happy Marriage: The Influence of Charlotte Smith on Jane Austen”—William H. Magee, p. 120
  • “Jane Austen and the Obituaries: The Names of Northanger Abbey”—Leslie F. Chard II, p. 133
     Review Essay:

  • “Jane Austen Studies: A Portrait of the Lady and Her Critics”—J. Donald Crowley, p. 137

7.2—SUMMER 1975

     Articles:

  • “Newspapers and Novels: Some Common Functions and Themes”—Priscilla P. Clark, p. 166
  • Roxana and the Development of Defoe’s Fiction”—Wallace Jackson, p. 181
  • Little Dorrit: Necessary Fictions”—Janice M. Carlisle, p. 195
  • “Flower Imagery in Hawthorne’s Posthumous Narratives”—Max L. Autrey, p. 215
  • “‘An Antagonism of Valid Claims’: The Dynamics of The Mill on the Floss”—Sara M. Putzell, p. 227
  • “The ‘Loud Work’ of Quentin Compson”—Stephen M. Ross, p. 245
  • “Fantasy, Prophesy, and Point of View in A Passage to India”—Sena Jeter Naslund, p. 258
  • “Breakthrough in The Golden Notebook”—Marjorie J. Lightfoot, p. 277
  • “Only Control: The Novels of Joyce Carol Oates”—Robert H. Fossum, p. 285
  • “The Symbolism of the Flood in Eliot’s Mill on the Floss”—Paul A. Makurath, Jr., p. 298
     Reviews:

  • Burkhart, Charlotte Bronte: A Psychosexual Study of Her Novels—Keith C. Odom, p. 302
  • Drabble, Arnold Bennett and Wright, Arnold Bennett: Romantic Realist—Kinley E. Roby, p. 303
  • Iser, The Implied Reader: Patterns of Communication in Prose Fiction from Bunyan to Beckett—Melvin J. Friedman, p. 309
  • Paris, A Psychological Approach to Fiction: Studies in Thackeray, Stendhal, George Eliot, Dostoevsky, and Conrad—John Olmsted, p. 310
  • Weinstein, Vision and Response in Modern Fiction—Charles Carmello, p. 313

7.3—FALL 1975—Textual Studies Special Edition

     Articles:

  • “Problems and Accomplishments in the Editing of the Novel”—G. Thomas Tanselle, p. 323
  • “Toward a Critical Edition of Smollett’s Peregrine Pickle”—O M Brack, Jr., p. 361
  • “Greg’s Theory of Copy-Text and the Textual Criticism in the CEAA Editions”—John Freehafer, p. 375
  • “The Center for Editions of American Authors: A Forum on Its Editions and Practices”—Warner Barnes and James T. Cox, p. 389
  • “Freehafer on Gred and the CEAA: Secure Footing and ‘Substantial Shortfalls’”—Bruce Bebb and Hershel Parker, p. 391
  • “Textual Criticism Today”—Vinton A. Dearing, p. 394
  • “The Important Questions Are Seldom Raised”—Thomas L. McHaney, p. 399
  • “Notes on Freehafer and the CEAA Editions”—Morse Peckham, p. 402
  • “Two Basic Distinctions: Theory and Practice, Text and Apparatus”—G. Thomas Tanselle, p. 404
  • “Evidences for ‘Late Insertions’ in Melville’s Works”—Hershel Parker, p. 407
  • “Mr. Bellow’s Sammler: The Evolution of a Contemporary Text”—Keith Cushman, p. 425
  • “Textual Studies in the Novel: A Selected Checklist, 1950-1974”—Margaret Putnam, Marvin Williams, compilers, and James T. Cox, editor, p. 445

7.4—WINTER 1975

     Articles:

  • Vanity Fair: Becky Brought to Book Again”—John Hagan, p. 479
  • “Imitation and Expression in Thomas Hardy’s Theory of Fiction”—Lawrence O. Jones, p. 507
  • “Mary Shelley’s Last Men: The Truth of Dreams”—Hartley S. Spatt, p. 526
  • “The Burdens of Self and Society: Release and Redemption in Little Dorrit”—Ronald S. Librach, p. 538
  • “The Buried Book: Moby-Dick a Century Ago”—Edward Stone, p. 552
  • “Melville’s Israel Potter: Fathers and Sons”—Charles N. Watson, Jr., p. 563
  • “Henry Roth’s Bull Story: Guilt and Betrayal in Call It Sleep”—Tom Samet, p. 569
     Review Essay:

  • “Tripartite Themes”—James Gindin, p. 584
     Reviews:

  • Colby, Yesterday’s Women: Domestic Realism in the English Novel and Basch, Relative Creatures: Victorian Women in Society and the Novel—Eric Solomon, p. 596
  • Olderman, Beyond the Waste Land: The American Novel in the Nineteen-Sixties—Ben Siegel, p. 598
  • Palmer, The Fiction of John Fowles: Tradition, Art, and the Loneliness of Selfhood—Roy Arthur Swanson, p. 601